Teen Angst Is Everywhere in Keegans Spring Awakening and Cuchullain

The Mrs. Grundys of this world might want to give a wide berth to the Church Street Theater for a few weeks: The two spirited and affecting productions running in that venue, courtesy of the Keegan Theatre, present visions of youthful ids running wild.In a taut and stirringly acted version of the Steven Sater-Duncan Sheik musical Spring Awakening, based on Frank Wedekinds 1891 drama, adolescent characters grapple with sexuality and rage at the repressive adult world.

And in Rosemary Jenkinsons world-premiere play Cuchullain, an endearingly impulsive and foul-mouthed modern 19-year-old ingests drugs and alcohol as if hed worked out a personal immunity deal with mortality.If the theme of teenage rebellion unites both works, it has a more profound edge in Spring Awakening. Co-directors Mark A.

Rhea and Susan Marie Rheas production of the Tony-winning musical (whose touring incarnation hit the Kennedy Center in 2009) features a cast of gifted young actors who turn in eloquent portraits of passion, frustration and vulnerability. In the shows opening sequence, the heroine Wendla (Ali Hoxie) cuts a wistful figure as she stands on a terrace, unleashing the yearning in the number Mama Who Bore Me. (As is the case with other performers in the production, Hoxie has a melodious voice that will no doubt gain strength later in her career.

Music director and pianist Jake Null leads the fine 10-person orchestra, which sits onstage, beneath the terrace. Mark Rhea designed the set.)Minutes later, on the stages main level, schoolboy characters in gray uniforms storm through the song The B---- of Living, stomping on the floor, brandishing chairs like shields and, in the case of one performer, bouncing soles of the feet making contact, body horizontal off the theaters side wall.

(Assistant director Kurt Boehm is choreographer.) The energy that surges through this number and through Allan Sean Weekss rock-concert lighting design courses, subtly or obviously, through the entire production.Some aspects of the staging that stomping sequence, for instance, or the wintry tree-branch pattern on part of the stages surface carry strong echoes of the Broadway version.

And actors Charlotte Akin and Jon Townson sometimes fold a little too much caricature into their interpretations of adult figures. But its hard to quibble when the package as a whole is so effective. Vincent Kempski is particularly charismatic as the smart, mutinous hero Melchior: The scene in which Melchior first strikes up a conversation with Wendla is a triumph of adolescent awkwardness, all pauses and averted gazes and simmering chemistry.

The vocally gifted Paul Scanlan brings a persuasive desperation and restlessness to the misfit Moritz, Nora Palka is poignantly scarred and waifish as the outcast Ilsa, and Sarah Chapin radiates trauma as an abused girl named Martha.Teenage disaffection has a more upbeat tone in Cuchullain, a one-actor show that as Jenkinsons Basra Boy did last year careens through a seedy Belfast cityscape populated by vibrant eccentrics. Performer Josh Sticklin, who infused Basra Boy with humor and zest, is equally irresistible as the hedonistic 19-year-old Aaron, whose idea of gainful employment is doing drugs in the park and then convincing a social services office that he is mentally ill (and thus deserving of generous welfare support).

Aarons sordid tale should, by rights, be a downer. But, as embodied by Sticklin jeans, T-shirt, red sneakers, spiky hair, animated body language the character is so exuberant and oddly innocent that to share his company is to be caught up in an exhilarating whirl of adventure, impish defiance and consoling camaraderie. (Basra Boy director Abigail Isaac repeats her staging duties here.

)Jenkinsons script brims with slangy poetry and infectious rhythms. Aaron describes a nurses eyes as spinnin around like two fruits in a slot machine, and he hears sea gulls cryin high like banshees as he escapes a crime scene in a car thats a rave-on-wheels. (A handout supplies a helpful glossary to Belfast idioms.

) Shimmying up a flagpole to steal an Irish tricolor, skidding down a park slope while high on pills whatever hes doing, Aaron seems to experience life in a rush of intensity. Watching him, we do, too. Wren is a freelance writer.

based on the play by Frank Wedekind; book and lyrics, Steven Sater; music, Duncan Sheik; string orchestrations, Simon Hale; vocal arrangements, AnnMarie Milazzo. Directed by Mark A. Rhea and Susan Marie Rhea; assistant choreographer, Katie McManus; costume design, Kelly Peacock and Shadia Hafiz; hair and makeup, Craig Miller.

With Nick Lehan, Stephen Murray, Gannon OBrien and others. About 2 hours, 15 minutes. Through July 8.

by Rosemary Jenkinson. Direction and sound design by Abigail Isaac; costume design, Emily Riehl-Bedford; lighting, Michael Innocenti; fight choreography, Kyle Encinas. 75 minutes.

Through July 1. Both productions are at the Church Street Theater, 1742 Church St. NW.

Call 703-892-0202 or visit

sin datos
Artículos recomendados
London 2012 Basketball Arena / Wilkinson Eyre Architects
Edmund Sumner Architects: Wilkinson Eyre Architects Location: Olympic Park North (Stop M), London Borough of Hackney, London E9, UK Project Team: SKM with Wilkinson Eyre Architects and KSS Project Year: 2011 Project Area: 11500.0 sqm Photographs: Edmund Sumner The Basketball Arena by Wilkinson Eyre Architects is one of the biggest temporary venues ever erected for any Olympic and Paralympic Games and the third largest venue in the Olympic Park. Located on high ground at the north end of the site, and clearly visible from various vantage points in the Olympic Park, the Arena will provide 12,000 seats for the basketball heats and handball finals, as well as 10,000 seats for the wheelchair basketball and wheelchair rugby competitions. Despite a tight budget, the Arena is set to be one of the most iconic and visually dramatic buildings of the 2012 Games. Edmund Sumner The brief called for a structure that was simple to erect but also provided a worldclass sporting venue for some of the most popular Olympic events. Alongside these factors, sustainability was a key driver in the buildings design: the arena has been made out of robust individual components that can be easily dismantled and subdivided for reuse, with over twothirds of the materials and components used on the project identified for reuse or for recycle. Section 03 Wilkinson Eyre has used an architectural language that remains distinct from the surrounding permanent venues, overtly celebrating both the best of British engineering and the temporary nature of the structure through innovative and economic structural and cladding solutions. Lightweight, simple building components have been used instead of a concrete structure usually found in stadia architecture, allowing the Basketball Arenas steel frame and cladding to be constructed in just six weeks. Edmund Sumner The 30mhigh rectangular volume (the equivalent of a sevenstorey building) is made out of a steel portal frame and wrapped in 20,000 sqm of lightweight phthalatefree and recyclable PVC. This translucent bespoke cladding is stretched across minimal steel framing modules that push the fabric out and create an elegant and threedimensional undulating pattern across the facades. The roof fabric includes an interwoven blackout layer that eliminates daylight during game sessions and maintains fully controllable artificial lighting for the media. The external walls are translucent, allowing daylight to filter through during the day and artificial lighting to be visible in the evening. Edmund Sumner The variation of surface qualities used throughout the structure help animate the buildings exterior, with the expression of the building being derived from the play of sunlight and nighttime theatrical lighting across the fabric surface. Wilkinson Eyre worked with United Visual Artists, specialists in concert lighting and installations, to create lighting and colourchanging effects for the evening games. The result is a dynamic illumination which, at night, transforms the white surface into a variety of saturated colours and strong silhouettes of the substructure, creating the biggest light installation on the Olympic park. Edmund Sumner Modular accommodation units that serve as the back of house areas are located outside the Arena volume, which also shares LOCOG overlay facilities with the Velodrome and BMX Track. These will include warmup courts and areas for catering, security, waste management and the media. Diagrams 01 Wilkinson Eyre worked Sinclair Knight Mertz (project management, structural and MEP consulting) and sports consultants KSS on the project. London 2012 Basketball Arena / Wilkinson Eyre Architects originally appeared on ArchDaily, the most visited architecture website on 22 Jul 2012. send to Twitter | Share on Facebook | What do you think about this?
Three Musketeers at Synetic Goes Full Throttle on the Senses
Nearly everything Synetic Theater does could be called Fast and Furious, and the movement-based troupes relentless new The Three Musketeers opens with a tiger pounce as four actors leap out of the darkness toward the audience. Explosive music accompanies the frenzied sword fight; it looks and sounds like a movie trailer for a summer blockbuster.Who are these characters? Doesnt matter. Whirl. Clang. Spin. Punch. Zow! This is how Synetic rolls: The playwright, Ben Cunis (who adapted the famed Alexandre Dumas novel with his brother Peter), not only plays the dashing musketeer Athos, he also does the fight choreography. Thats not vanity. It simply describes the skill set, and the company mind-set. How, they ask, can the story move? Unlike the silent Shakespeare productions (all motion, no speaking) that have won Synetic so much acclaim, Musketeers features plenty of talking, and the Cunis brothers dialogue sometimes manages a kind of cornball charm. Ben Cunis delivers a wry, Kevin Kline-ish performance as the suave but drunken Athos, and Hector Reynosos blustery turn as the plus-sized musketeer Porthos is part of why this light-spirited Musketeers occasionally puts you in mind of The Princess Bride. Director Paata Tsikurishvilis plus-sized production has 16 actors creating crisscrossing mayhem on Synetics Crystal City stage. (Dont even think of going if youre not in the mood for more than two hours of almost manic adventure.) The first swashbuckling act comes off like half-popped popcorn, but you have to giggle at the unapologetic hamminess served up after intermission. If Cunis infectiously enjoys himself as a comic hero, Dan Istrate performs with no less relish as the dastardly, power-grabbing Cardinal Richelieu. The red leather robes and kinky black corset by designer Anastasia R. Simes (who also did the multilevel set thats so ripe for chase scenes) gives Istrate something wicked to live up to, and the actor responds with a creepy turn that pushes the show toward a pulpy edge. But wait theres another villain, and this one dances! Irina Tsikurishvili, as the spidery Milady, tangos with Istrate (Miladys in cahoots with the Cardinal), spins with Cunis (Milady and Athos used to be married long story) and drop-kicks rivals with the aggression of a ticked-off Angelina Jolie. Silly? Yes, but then we havent even come to Robert Bowen Smiths gaudy, low comic vamp as the mincing menace King Louis XIII, resplendent in an all-white, open-collar getup that slightly recalls a latter-day Elvis. None of this is simple, and it rarely looks easy. The actors are in a full sweat mere moments into the show, and while the athleticism is part of what typically impresses with Synetic, so is the discipline. The punches and swordplay are quick, and the tumbling is fearless. Dallas Tolentino is winningly cheerful as the young musketeer-in-training DArtagnan, but the hallmark of his performance and of the show is soaring jumps and nailed landings. The production revs with sensory appeal, from Brittany Dilibertos rock concert lighting design to the sinister/bombastic music by Konstantine Lortkipanidze. This is Synetic at full throttle, although fueled far more by energy than wit. This Musketeers isnt stupid, but its exhausting; while some audiences will be thrilled by the restless propulsion, its fair to wonder if this one-of-a-kind troupe is in danger of getting stuck with its foot on the gas pedal. by Alexandre Dumas. Adapted by Ben and Peter Cunis. Directed by Paata Tsikurishvili. Choreography, Irina Tsikurishvili; sound design, Thomas Sowers. With Matthew Ward, Brittany OGrady, Brynn Tucker, Peter Pereyra, Mitchell Grant, Vato Tsikurishvili, Zana Gankhuyag, Rebecca Hausman, Kathy Gordon and Kathryn Elizabeth Kelly. About 2 1 / 2 hours. Through June 9 at 1800 S. Bell St., Crystal City. Call 800-494-8497 or visit synetictheater.org.
Overview of Concert Stage Lighting - Music
A concert lighting designer's job is to plan and execute lighting effects that convey a specific mood or concept, illuminate the performer, and engage an audience. With access to the best lighting equipment and knowledge of advanced lighting techniques, today's concert lighting design has become very sophisticated. Concert lighting designers must be familiar with a variety of lighting equipment and often take years to master the art of lighting a large production. Below is an overview of some of the lights most commonly used by concert lighting designers. Floodlights & spotlights are the two primary types of stage lights. Floodlights generally produce a wide beam of light that can illuminate large stage areas while spotlights produce and narrow, more focused beam of light. There are several sub-categories of both floodlights and spotlights as well as some lighting equipment that falls in between the two categories. PAR (Parabolic Aluminized Reflector) lights are a type of floodlight often used for rock concerts. This lamp produces a large amount of flat light that comes from a unit that resembles an empty paint can. PAR lights are often used in conjunction with smoke or haze effects. The benefits of these lights are that they are lightweight, portable, and low cost. Strip lights are strips of lighting housing containing many lamps. Typically, strip lights are used to illuminate wide areas of a stage, such as a back curtain. While colors for lighting are often achieved by "gels" or colored plastic that go over a light, strip lights use glass gels, or "roundels" to produce colored light. One of the main advantages of strip lights is that a separate electrical dimmer circuit can control each lamp. LED Lights are another popular concert lighting element. Because this type of light uses light emitting diodes, or LEDs, rather than halogen lamps, they can produce lots of light while consuming less power than traditional stage lights. Popular with concert designers, these lights are able to produce a wide range of vibrant colors to create interesting lighting effects. Spotlights are also essential to concert lighting equipment. They produce an intense beam of light that can illuminate an entire stage. These lights come in several varieties, each with unique properties. Fresnels are smaller light fixtures that produce a pool of light or a concentrated, but soft edged spot. Profile lights are most similar to what people associate with traditional spotlights. Their convex lenses produce a sharp light beam that can be formed into different shapes of an insert called a gobos. Finally, PC's, or Pebble Convex lanterns use convex lenses with a pebbled effect that produce a concentrated spot of light with little "spill" outside the target. An excellent concert lighting designer is familiar all of lighting equipment mentioned here in addition to much more advanced equipment. More importantly, they know how to plan and execute lighting for a 2-3 hour concert with the utmost precision and creativity. Those who excel in the art of concert lighting have the privilege of working with top touring artists such as Motley Crue and Maroon 5. One example of a live concert video production company that is putting their name on the map is Daddy Van Productions, based out of Austin, Texas.
Traktor Audio 6 Recognizes Only One Deck When Pluging into My Mac Pro, What Should I Do?
I can not post this as a comment yet, so it will have to be an answer. Usually this happens when the audio signal is screwed up somehow coming from the table. Set Traktor to scope view and see what the signal looks like. Check the settings in the audio 6 control panel- is direct monitoring on? Are the line input sensitivities set properly? Did you try rebooting the Macbook and/or plugging the audio 6 in on a different USB? Are you using an external power supply, or are you powering over the USB? Are you using timecode vinyl? Are your needles clean/connected properly? Are your grounds connected? Do you have the deck set to CD/LINE rather than to TURNTABLE/PHONO? There are many things it could be; a better description of what it is doing might help. :) Hope this helps.1. Mac Pro: Kernel panic during HDD boot and DVD bootIt is probably your video card. The 2007 MBP's were prone to this.Here is how you can tell. Download the Ultimate Boot CD. Burn it to a DVD or a USB StickYou will launch Linux with a ton of useful diagnostic tools. Run everything, but especially the video display diagnostic tool.Mine was throwing errors and I was able to definitively find the cause of the problem. I was able to find a guy in Tampa that would upgrade the video card on the Logic Board for about $100. I did the service and it worked great. MBP still running to this day. Let me know if you are interested and I will post his info2. Mac Pro Memory Installation Problem: Missing RAM in certain slotsYou need to follow the memory layout suggested on the side door, and the instructions in the manual that shipped with your Mac Pro. The memory layouts have changed significantly from the older 2007 model Mac Pros.edit: link to the memory replacement manual for early 2008 Mac Pros.3. Formatted my mac pro HDD, how do i install mac os x on it?Did you not use or receive instructions or documentation on how to do this? Before you wiped the hard disk clean?4. What should I get, a Mac Pro 13" or a Sony Vaio CW?Macbook Pro* Mac Pro is the tower computer. And it depends on what you need it for. If you do not need something extremely fast the Macbook Pro should be plenty.5. Cannot access vital boot options on Mac Pro with OS X LionIt's extremely strange that you were not getting EFI boot options to work from a wired keyboard.I note that the EFI startup commands you listed that worked used either the Shift key modifier or the Option AND Cmd modifier. The commands that did not work used either Option OR Cmd. Makes you wonder. ..You do know that the keys that generate "Option" and "Cmd" keycodes are typically reversed from a PC to a Mac keyboard, correct? (It's easy to forget if you normally have them remapped in System Preferences->Keyboard.) Is it possible you were using the wrong modifier keys at startup time?Also very strange that the nvram dump shows your desktop machine had been assigned a name that implied it was previously a laptop. If the previous owner used some sort of imaging tool to initialize your machine but took the image from a different model of Mac I can imagine all sorts of strange things could be going wrong.6. What's your favorite MAC pro product?None of them. I bet better results and a much better price with mary Kay7. Why does my mac pro suddenly suck?Suddenly? haha They always suck dude. =] Try deleting unnecessary stuff and defragging your hard drive. Also check the programs running in the background. Like media players, anti-virus software, Limewire, ect; These things can slow down you are computer. Make sure you have all the most current updates also. That and more RAM will make your computer faster...8. My Mac Pro won't take a CD I try to insert. It's really important.?Does it take other CDs? Then that CD is bad. If it does not take any CD the drive is probably bad9. will a mac pro run diablo 3?Yh, My Brother has a Mac Book air and Plays Diablo 3. Really good game too
A Question About Reading and Calculating Thermal Resistance of a Voltage Regulator From Its Datashee
You have calculated the power dissipated in the wind gauge - what you need to know is the power dissipated in the LM317. The wind vane will draw 1 mA, and you have 3 volts across the LM317, for a power dissipation of 3 mW due to the load. However, the LM317 requires a minimum load current of 5 mA for proper operation - the voltage-setting resistors are usually selected to draw that current.With 1 mA for the wind gauge, and 5 mA for the LM317 operation, the LM317 will dissipate about 6 mW - no need for any heat sink at such a low power. You could use a TO-92 packaged LM317 without concernI have this voltage regulator from this supplier and the exact model name is given as: "LM317T/NOPB".I plan to use this circuit to power a windwane's potentiometer which is around 10k:As you see I want to set the excitation voltage for the vane pot to around 9 or 10V where the opamp will be supplied directly from a 12V switch mode power supply. For this purpose I will use an LM317 to obtain 9 or 10V for the vane excitation. So I will set LM317 for 9 or 10V DC. I will mount the vane in a box around 50m height which will stay there at least 3 months.Since I will use a linear voltage regulator I decided to find out whether I need a heatsink.I have encountered two challenges which I put here as questions:1-) In the datasheet when I check the thermal resistances I cannot figure out which model I should use:Mine is T0-220, but in the datasheet there is two types namely as KCT and KCS. But my model is "LM317T/NOPB". And on it it is written "LM317T P". So should I use the thermal resistance for KCT or KCS?2-) Here is how I calculate the T:T JA * PIn my case:P V^2 / R 10^2 / 10000 0.01WBut for junction to ambient temperature I used to use the following:Junction to ambient Junction to case Case to AmbientBut in the datasheet there is no Case to Ambient but there is Junction to ambient. Does "junction to ambient" already include "case to ambient"? Should I in my case only use Junction to ambient? If so in my case T becomes like 4C, and I conclude I don't need heatsink. Do I calculate correct and does it matter the duration like three months when it comes to using heatsink?
Dajiang UAV Emergency Rescue Alliance Operation
Since June, South China has experienced several rounds of heavy rainfall. The rainstorm is widely distributed, multi-point outbreak and high local intensity, causing dangerous situations such as waterlogging, landslide and overtopping, and the flood control situation is extremely severe.The emergency rescue alliance composed of DJI Dajiang industrial application and partners responded quickly, served local flood control and rescue teams, helped to improve the efficiency of emergency rescue and protect the safety of people's lives and property in the flood season.The duration of dam patrol is long, the map is far away, and continuous monitoring is carried out in rainstormAffected by the continuous increase of water from the upstream and the jacking of the Yangtze River flood, the water level of Dongting Lake continued to rise. On July 4, the water level of Chenglingji station, the landmark hydrological station of Dongting Lake, exceeded the warning. Since then, the water level of Dongting Lake has exceeded the warning."As a 'barometer' of the water situation of the Dongting Lake and the Yangtze River Basin, Chenglingji station exceeds the guaranteed water level, which means that the flood control situation of the whole Dongting Lake area has entered a very urgent state." the Yangtze Holly of the Ministry of water situation and information technology of Hunan hydrological Center said.In order to better monitor the water situation in the flood season, from July 5, the water conservancy department of Hunan Province began to use Dajiang UAV to carry out flood control inspection on the reach of Dongting Lake.Dajiang longitude and latitude M300 RTK took off from Qilishan hydrological station in Chenglingji, Yueyang, and met the Yangtze River about 7km along Dongting Hubei. With the help of the map transmission system as far as 15km, the UAV continues to stably transmit images for the flood control and drought relief command center of Hunan Province, helping flood control experts master the situation at the first time.In addition, the longitude latitude M300 RTK has the protection level against heavy rain, and can operate continuously even in the rain. In addition, it has the advantages of long endurance and battery thermal replacement, and realizes all-weather rotation monitoring during the flood season.The rapid inspection of flood control facilities, revetments, levees and other contents of the target segment by UAV has expanded the vision of the original manual inspection. Yueyang City will also start UAV flight inspection on the 1068 km first-line flood control embankment of Dongting Lake and the Yangtze River trunk line.At present, several groups of UAV teams have gone to Yueyang and Yiyang to track and monitor the lake potential of Dongting Lake, provide information support for flood prevention and ensure the safe transit of Dongting Lake flood.The landslide rescue 3D model calculates the landslide area and locks the rescue areaOn July 8, affected by continuous heavy rainfall, a sudden landslide triggered a debris flow in Shiban village, Songtao Autonomous County, Guizhou Province. The whole village suddenly turned into a flood beach, and some villagers were trapped. After receiving the rescue notice, Guizhou Skyway technology, an industrial application partner of DJI Dajiang, acted quickly and rushed to the scene to cooperate with the rescue at the first time.Due to the huge destructive force of landslides, local houses have been washed away and buried by soil. Only by comparing the local pre disaster and post disaster images can we determine the approximate location of the buried houses and look for the trapped people.The traditional solution is to understand the whole picture of the disaster area through satellite remote sensing. However, the timeliness and accuracy of satellite map are low. At the same time, the weather conditions of heavy rainfall and cloudy fog in this disaster will also lead to the poor effect of satellite images.The rescue team thought of Dajiang spirit 4 RTK aerial survey UAV for the first time - it has a centimeter level positioning system. Rescuers imported the images collected by spirit 4 RTK into Dajiang wisdom map and quickly obtained the first three-dimensional model of the disaster core area.According to the model, the command center analyzed four key rescue areas, and calculated the local landslide area and landslide earthwork.In addition, in the rescue process, the front-line rescue team continued to transmit the images taken by UAVs back to the command center in real time, so as to facilitate the command center to monitor the changes in the landslide area and adjust the rescue strategy in time. While efficiently looking for trapped people, it also ensures the safety of rescue workers.Quickly find out the disaster situation due to heavy rainfall and waterloggingGuangdong Province, which has experienced several rounds of heavy rainfall, recently encountered the strongest "dragon boat water" in recent 15 years, and the precipitation in many places broke through the historical extreme value. Guangdong Provincial three prevention office and Guangdong Provincial Emergency Management Department sent emergency support working group and emergency communication support group to carry Dajiang UAV to the rescue sites of Huadu, Qingyuan Fogang and Huizhou Longmen."When we arrived at fogangluo cave in Qingyuan, the water level in a village had been more than 2 meters, overflowing the first floor of the houses. The villagers were hiding upstairs. The village had been cut off from water, food and electricity." said the Guangdong Chengjin science and technology operator in charge of flight operations at the scene.In order to find out the disaster, the fire commanders and fighters quickly took off the Dajiang "Yu" 2 industry version UAV they carried with them. The UAV collects the panorama of the affected area with one click to truly restore the disaster scene.During the rescue, the fire commanders and fighters used the Dajiang longitude and latitude M300 RTK to continuously shoot the disaster situation on the scene in the rainstorm, and transmitted the captured picture back to the command center through the video live broadcast platform.Timely on-site first-hand information provides an important basis for the command center to realize accurate judgment, accurate organization, accurate coordination and accurate command of emergency rescue, so as to timely evacuate the masses, avoid casualties, reduce property losses and achieve prevention first.Intelligent flood control and scientific disaster reduction. With the unique advantages of high-altitude vision, as well as many strengths such as flexibility, reliability and intelligence, UAVs are providing efficient tools for rescue workers on the front line. DJI Dajiang industry application said that its emergency rescue alliance with national partners will also stick to the front line, go all out to fight the battle of flood control and disaster reduction, and build a "new dam" for scientific and technological flood control and disaster reduction in the affected areas.
Importance for the Macedonian Energy Sector
Importance for the Macedonian energy sectorAs of 2020, only 26.6% of technically usable hydropower potential in North Macedonia has been developed , which remains far under the European average of 50%. Unfavourable energy mix, strong dependence on energy import, obsolete energy system and inefficiency in energy production and use are the main problems of the Macedonian energy sector. Macedonia imports roughly a quarter of its annual electricity needs. Domestic energy production is based mainly on the low-quality domestic lignite, biomass and hydro. The purpose of the Boškov most HPP is to support Macedonia's drive to improve the security and quality of its energy supplies, as well as promoting renewable sources of energy generation. Once operating, the plant will enable the nation to reduce electricity imports and in addition decrease the carbon intensity of the Macedonian generation sector. It will also help North Maceonia meet its widely accepted objective to reach 20% energy production from renewable sources. Boškov Most HPP is conceived as a peaking power plant, operating near rated capacity around 5 hours daily during peak demand.— — — — — —Size of market sectorRecent surveys of UK conference venues have found that a third of conference bookings were made by PCOs or venue-finding agencies. In 2006 UK-based conferences generated 7.6 billion in direct sales giving PCOs a central role in some 2. 5 billion of revenue generation. The UK is ranked second behind the US for global market share of conferences. Thus, although there is no one source of global statistics for the conference market it appears that PCOs play a central role in several billion dollars' worth of revenue generation worldwide— — — — — —Services to the education sectorYes has worked closely with the Malaysian Ministry of Education to equip all 10,000 primary and secondary national schools across the country with high-speed 4G Internet connectivity integrated with cloud-based Frog VLE (Virtual Learning Environment) platform under the 1BestariNet program. Under Yes' own Education Partner Programme (EPP), it entered into strategic partnerships with selected public colleges and universities within Malaysia to furnish the entire campus grounds and buildings with high-speed 4G Internet connectivity and free data to access the Internet for educational purposes.— — — — — —Private sectorHe served in the private sector as director of the Correo Argentino— — — — — —Exo Sainte-Julie sectorExo (public transit) Sainte-Julie sector is the public transportation service for the small city of Sainte-Julie in southwestern Quebec, Canada. This municipality is located in the Marguerite-D'Youville Regional County Municipality, about 25 kilometres (16 mi), southeast of downtown Montreal. The system provides a mix of regular transit bus and commuter express services, with most routes terminating either at Longueuil bus station or in downtown Montreal in front of 800, rue De La Gauchetière Ouest, across the street from Gare Centrale and near Terminus Centre-Ville. Agence métropolitaine de transport park and ride facilities for commuters, are located at 211 boulevard Armand-Frappier. Industrial and rural areas of Sainte-Julie are served by taxibus. The Marguerite-D'Youville Regional County Municipality manages the transportation for people with disabilities within the Region. To be eligible for this service, one must complete the application form and be approved.— — — — — —Electricity sectorHistoryWith the development of the national grid, the switch to using electricity, United Kingdom electricity consumption increased by around 150% between the post-war nationalisation of the industry in 1948 and the mid-1960s. During the 1960s growth slowed as the market became saturated. The United Kingdom is planning to reform its electricity market, see also Decarbonisation measures in proposed UK electricity market reform. It plans to introduce a capacity mechanism and contracts for difference to encourage the building of new generation. During the 1940s some 90% of the electricity generation was by coal, with oil providing most of the remainder. The United Kingdom started to develop nuclear power capacity in the 1950s, with Calder Hall nuclear power station being connected to the grid on 27 August 1956. Though the production of weapons-grade plutonium was the main reason behind this power station, other civil stations followed, and 26% of the nation's electricity was generated from nuclear power at its peak in 1997. Despite the flow of North Sea oil from the mid-1970s, electricity generation from oil remained relatively small and continued to decline. Starting in 1993, and continuing through the 1990s, a combination of factors led to a so-called Dash for Gas, during which the use of coal was scaled back in favour of gas-fuelled generation. This was sparked by the privatisation of the National Coal Board, British Gas and the Central Electricity Generating Board; the introduction of laws facilitating competition within the energy markets; and the availability of cheap gas from the North Sea. In 1990 just 1.09% of all gas consumed in the country was used in electricity generation; by 2004 the figure was 30.25%. By 2004, coal use in power stations had fallen to 50.5 million tonnes, representing 82.4% of all coal used in 2004 (a fall of 43.6% compared to 1980 levels), though up slightly from its low in 1999. On several occasions in May 2016, Britain burned no coal for electricity for the first time since 1882. On 21 April 2017, Britain went a full day without using coal power for the first time since the Industrial Revolution, according to the National Grid. From the mid-1990s new renewable energy sources began to contribute to the electricity generated, adding to a small hydroelectricity generating capacity. Electricity generationIn 2016, total electricity production stood at 357 TWh (down from a peak of 385 TWh in 2005), generated from the following sources: Gas: 40.2% (0.05% in 1990) Nuclear: 20.1% (19% in 1990) Wind: 10.6% (0% in 1990), of which:Onshore Wind: 5.7% Offshore Wind: 4.9%Coal: 8.6% (67% in 1990) Bio-Energy: 8.4% (0% in 1990) Solar: 2.8% (0% in 1990) Hydroelectric: 1.5% (2.6% in 1990) Oil and other: 7.8% (12% in 1990)The UK energy policy had targeted a total contribution from renewable energy to achieve 10% by 2010, but it was not until 2012 that this figure was exceeded; renewable energy sources supplied 11.3% (41.3 TWh) of the electricity generated in the United Kingdom in 2012. The Scottish Government had a target of generating 17% to 18% of Scotland's electricity from renewables by 2010, rising to 40% by 2020. Regional differencesWhile in some ways limited by which powers are devolved, the four nations of the United Kingdom have different energy mixes and ambitions. Scotland currently has a target of 80% of electricity from renewables by 2020, which was increased from an original ambition of 50% by 2020 after it exceeded its interim target of 31 per cent by 2011. Scotland has most of the UK's hydro-electric power generation facilities. It has a quarter of the EU's estimated offshore wind potential, and is at the forefront of testing various marine energy systems.
I Must Clear My Cmos to Be Able to Boot
I have the same problem. I have an Asus P7P55D-PRO, it has been having boot problems for the last 6 months. The green standby LED is delayed after switching on the PSU. Then when I press the power button the computer starts only for 1/4 seconds. I've fixed it by clearing the CMOS settings on every boot, the computer starts automatically when the standby LED is onI have this ASUS p7p55d-e pro for about 8 months(got it last July) and for this last 3-4 days I cannot boot without clearing my CMOS.What I have is:Seasonic M12D 750WASUS P7P55D-E ProIntel Core i5 760 Quad Core Processor Lynnfield LGA1156XFX GeForce 8800 GT Alpha Dog 512 MB DDR3 Standard (PV-T88P-YDF4)2x Corsair XMS3 CMX4GX3M2A1600C7 4 GB DDR3 2X2 GB DDR3-1600 CL 7-8-7-20I tried to remove all the unnecessary stuff: HD/DVD/pci card/USB cable/etc I tried with only 1 dimm filled, instead of my 4, each one individually. It didn't work.I tried changing the battery, here goes a few dollars to nowhere, didn't work.If I don't reset the CMOS it sometime stock on RAM led, sometime on BOOT DEVICE led, when this happen, it stuck on CPU speed detection.When I boot right after the reset, I MUST click on the F2 option (boot with default BIOS setting) if I go into the BIOS and save/restart, I have to reset it again When booted, everything is rock solid stable, tried memtest, CPU stress, etc, etc. Without issues.What should be my next step? Trying a new PSU? (I need to find one.) Do RMA? (I need this mb since it's my only computer...)Something else?Edit: I just tried with a new PSU, it didn't fix the issue.
Analysis on Key Points of Wearable Device Power Supply Design
Wearable devices have always been sold. In addition to being unable to grasp the pain points of users in experience, they have also failed to break through the technical defects. The problem of endurance has been criticized by people. Experts said that in the short term, it is difficult for the industry to find a perfect solution to meet the power design needs of wearable devices. At present, they are basically in the exploratory stage, but there are some people who may have found some ways.Power design requirements of wearable devicesDr. Wen Sihua first introduced several key factors that should be paid attention to in the power supply design of wearable devices. He said that the current mainstream wearable device batteries are mainly divided into two types. One is to use high-capacity and high-density disposable lithium batteries, which need to be replaced by users frequently, but it can save a lot of costs for manufacturers; The other is the more popular rechargeable battery, which is much smaller than the disposable battery in terms of capacity, but generally speaking, the battery capacity of wearable devices will not exceed 300mAh.On the other hand, since wearable devices are often turned on, but many functions do not need to be turned on for a long time, and modules such as radio and EEPROM do not need to be powered on frequently, how to use effective battery management schemes to achieve flexible processing and maximize efficiency and prolong battery life, It is the key factor for the ultimate differentiation of product endurance. Dr. Wen said that Ti launched a battery management scheme based on ultra-low IQ step-down converter tps62740 ($2.5067), which can well meet the above-mentioned design requirements for flexibility.Figure 1: ti's battery management scheme based on tps62740 ($2.5067)In his speech, Dr. Wen also mentioned that wearable devices have small requirements for the size of battery modules, but the requirements for battery accuracy are increasing. How to achieve a small charging termination current is also one of the problems that need to be solved urgently. "Based on the requirements of small size and charging termination current, Ti has launched a lithium-ion battery charger: bq25100, which is tailored for low-power applications such as wearable devices." Dr. Wen introduced us that the bq25100 adopts 0.9 & tips; The 1.6mm WCSP package can support the charger solution with the size of only half of the previous generation; Bq25100 can accurately control the fast charging current as low as 10mA or as high as 250mA, and realize the charging termination as low as 1mA, so as to support micro lithium-ion button battery. In addition, bq25100 also supports leakage current less than 75na, which can solve the problem of battery loss caused by leakage current and prolong the service time of battery.Figure 2: ti's small charger solution based on bq25100Figure 3: comparison of battery life results caused by different leakage currentsDifferent from the traditional battery charging schemeIn addition to the most traditional USB power supply, Dr. Wen also provides us with two new ideas for the battery charging mode of wearable devices. One is the wireless charging scheme that has attracted much attention at present, and the other is the controversial energy acquisition scheme.Energy ($50.4000) harvesting technology, that is, make full use of the surrounding energy and effectively convert it into electric energy that can be stored and collected. The key lies in energy efficiency and the amount of energy that can be collected. However, at present, this technology still has great challenges. For example, if additional components are added, a small amount of energy collected within one hour may be consumed in less than one second. Therefore, it is still controversial whether components for energy collection should be added.Fortunately, there is not such a big technical obstacle to wireless charging, and many feasible schemes have appeared in the market. At present, Ti has also launched a wireless charging solution for wearable devices. On the receiving module of this scheme, we can see that in addition to applying the buck converter bq25100 mentioned above, It also adds a wireless charging receiver based on Qi standard - bq51003 ($1.4625).Figure 4: wearable device wireless charging scheme (receiving module) launched by Ti
sin datos
Contact us
  • Cel : +86 158-2024-2923
  • Tel(Fax) : +86 020-29835956
  • E-mail : info@torylight.com
    Facebook : Torylight sandy
  • Twitter : @torylight sandy

  • Add : No.1, XinHe Industrial Park, Huadu
  • District, Guangzhou, CHINA
Whatsapp :
+86 158-2024-2923
Copyright © 2021 Guangzhou Tory Light Co., Ltd. | Sitemap